Scotty
Stevenson
Born: Amarillo, Texas, March 19, 1955 ~ Year of the Ram
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Solo
Exhibitions
2002 Flinner Gallery, Baltimore, Md. Curator, Michael
Berzenoff
2000 Dot-Dash Paintings Dash-Dot, Ground Floor Gallery,
Fells Point Creative Alliance, Baltimore, Md. Curator, Jed
Dobbs.
1998 Mono a’ Mono, Louie’s Café and
Bookstore, Baltimore, Md. Curator, James Rouse.
1997 Twistertown, Fells Point Corner Theater Gallery,
Baltimore, Md. Curator, Barbara Moore
1996 Paintings ~ Monos, Adler Gallery, Baltimore, Md. Curator,
Bill Adler
1995 Mono Prints, Corradetti Gallery, Baltimore, Md. Curator,
Anthony Corradetti
1987 Mono Prints, Louie’s Café and Bookstore,
Baltimore, Md. Curator, James Rouse .
Selected Group Exhibitions
2006 The FEAR Show, Sub Basement-Gallery, Baltimore, MD, www.subbasementartiststudios.com Curator, Frank
Klein
2006 Sowebo Arts Festival Members
Show , Sowebo Gallery, Baltimore,
Md.
2006 Sowebo Arts Festival Exhibition, Sowebo Gallery,
Baltimore, Md.
2005 Sowebo Arts Festival Exhibition, Coastal Gallery,
Baltimore, Md.
2004 Sowebo Arts Festival Exhibition, Coastal Gallery,
Baltimore, Md.
School
33 Art Center’s Annual Open Studio Tour, Baltimore,
Md.
2003 Sowebo Arts Festival Exhibition, Coastal Gallery,
Baltimore, Md.
School
33 Art Center’s Annual Open Studio Tour, Baltimore,
Md.
2002 Sowebo Arts Festival Exhibition, Coastal Gallery,
Baltimore, Md.
School 33 Art Center’s Annual Open Studio Tour,
Baltimore, Md.
2001 Speak, 2001 Artscape, Meyerhoff Gallery, Baltimore,
Md. Curator, Gary Kachadourian
2001 The Artist of Sowebo, Resurgam Gallery, Baltimore,
Md.
2000 Invitational, Coastal Gallery, Baltimore, Md. Curator,
Mark Braun.
Sowebo
Arts Festival Exhibition, Coastal Gallery, Baltimore, Md.
School
33 Art Center’s 12th Annual Open Studio Tour, Baltimore,
Md.
Out
of Order, Maryland Art Place, Baltimore, Md.
The
Artist of Sowebo, Resurgam Gallery, Baltimore, Md.
1999 Fells Point Creative Alliance “Big Show”,
Fells Point Corner Theater, Baltimore, Md.
Invitational,
Theater Project Fonda Gallery, Baltimore, Md. Curator, Kim
Tyson
Out
of Order, Maryland Art Place, Baltimore, Md.
Le
Salon Les Refuses, Perrelli Fine Art & Design, Baltimore,
Md. Curator Kim Tyson
Sowebo
Arts Festival Exhibition, Coastal Gallery, Baltimore, Md.
School
33 Art Center’s 11th Annual Open Studio Tour, Baltimore,
Md.
Baltimore:
A Cultural Landscape, City Hall Courtyard Galleries, Baltimore,
Md.
The
Artist of Sowebo, Resurgam Gallery, Baltimore, Md.
1998 Journeys, Fells Point Creative Alliance “Big
Show” Studio 302 and the Halcyon Gallery, Baltimore, Md. Curators,
Mary Jo Kehn and
Joan Van Sledright.
Artscape: Artist
in the Empowerment Zone, City Hall Courtyard Galleries, Baltimore,
Md.
First
Annual Regional Juried Exhibition, Fells Point Creative Alliance,
Studio 302 Gallery, Baltimore, Md.
Fond
of Fonda,Theater Project Gallery, Baltimore, Md.
School
33 Art Center’s 10th Annual Open Studio Tour, Studio
302 Gallery, Baltimore, Md.
The
Arabber Show, Theater Project Gallery, Baltimore Md. Curator,
Dan Van Allen
Out
of Order, Maryland Art Place, Baltimore, Md.
1997 The Big Show, Halcyon Gallery, Fells Point Creative
Alliance, Baltimore, Md.
1996 The Big Show, Daily Grind, Fells Point Creative Alliance,
Baltimore, Md.
1995 The Big Show, Halcyon Gallery, Fells Point Creative
Alliance, Baltimore, Md.
1994 The Great Scott Show, The Adler Gallery, Baltimore,
Md. Curator, Bill Adler
Isospin
Gallery, Baltimore, Md. Curator, Lisa Meo
Bibiography
Mike Giuliano, “Morse Code: Paintings By Scotty Stevenson”,
Baltimore City Paper, 9/25/02
Carl Schoettler, “The Fells Point Art’s Journey”,
Baltimore Sun, 8/9/98, Baltimore, Md.
Awards and Honors
1998: 2nd Place In The First Annual Fells Point Fun Festival
Visual Arts Awards,
Sponsored by the Society For The Preservation Of Fells Point,
Juried by Nancy Miller Batty, Chief Curator of the Delaware Art
Museum.
1978: Merit Scholarship, Maryland Institute College of Art, Baltimore,
Md.
Biography
Scotty Stevenson was born in the Texas panhandle in the mid-50’s
a part of a meandering oil field family. He had a checkerboard
rearing moving up and down the Southern gulf coast, ending up
in Singapore in the late 60’s. He returned to states to
study photography at the Maryland Institute College Of Art in
1973 where he fell under the thrall of painting. Weaned off the
Maryland Institute in the late 70’s, he is currently shackled,
living and painting in Sowebo and showing his art in the Baltimore
art community.
Artist Statement
Ok, if I must. Several years ago my dictionary fell open to the
Morse code entry. It had a tiny translation of the alphabet into
the dots and dashes. It reminded me of Boy Scouts and spies,
of the railroads early western expansion, of dueling cryptologist
in the theater of world wars, and the rhythmic fist signatures
some retreating Viet Cong patrol. Morse code was the tom-tom
drum of the industrial revolution, and like all the obsolete
tongues, falling on hard times and deaf ears. I started painting
these dots and dashes into knobby grid-like landscapes recounting
in the Morse code the memories and stories of people in my life.
Juggling the dots and dashes into a nests of colors and punch
drunk patterns I paint my memories of the ones who raised me,
loved me, in a language meant to be heard, not seen. Like a P.O.W.
tapping out news to an empty cell as the turnkey laughs I accept
that the original text is lost, slowly encrypted out of my control
with the constant layering of revised intrusions. Where the drama
of somber and prime colors in rigid or hapless designs sets the
tone of the narrative. In the end I am left with an undecipherable
painting of colors and pattern, conveying to the viewer that
hidden here, in the mystery of code, is the story of a life hopefully
well lived. I strive for a painting that makes amends for forgetting
and spitting at its elders, that rises face first out of the
mud carrying a limp and bruise in every incontinent brush stroke
and color.
… . .- .--. .--. -.-- / -
.-. .- .. .-.. … / - --- / -.-- --- ..- / ..- -. - .. .-..
/ .-- . / -- . . - / .- --. .- .. -.
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